Mason Jennings


Sep 21, 2017 – 8:00 PM

31 West Street
Annapolis, MD 21401 Map

  • Mason Jennings

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with Frankie Lee
As one grows into adulthood, remaining steadfastly single-minded about ones pursuits gets increasingly difficult. The musician becomes a band mate navigating the creative energies of those around them. He becomes a boyfriend, a husband, a businessman. She becomes a lover, a mother, a practitioner of her art. Life becomes multifarious, and the pressure to not let the disparate threads of a chaotic life unravel can cause strain on any relationship. With his new album Minnesota, Mason Jennings crafts a collage of love trying to survive the transition into being a grown-up in a complex world.Love is the most important thing to me, my relationship with my wife and kids, Mason says, adding And music has always been as important as breathing to me. I have come to realize that to have it all, I have to take the long view when it comes to integrating all these parts of my life. Increasingly, a sense of place and community has become important to him as well. The album is called Minnesota because its a metaphor for an ever-changing landscape. More than any place Ive ever been, things change so much here, even month-to-month. But even as things change, Minnesota is where my home is, where my center is. His profession often takes him away from that center. Being on the road and finding the personal space to create while at home has caused him to examine how he balances his loves. He generally writes from an intensely personal point of view, but Minnesota represents a step toward the light after the darkness of Blood of Man, his last album. A case in point is the first song on the album, Bitter Heart, which manages to be simultaneously plaintive and hopeful. The protagonist recognizes the breach of faith and the sense of estrangement in the relationship, but sings tenderly of rapprochement. To Mason, the central line in this song and a central point to the album is Our world is filled with only what we see/Can we see love now. Mason says, I have come to the understanding that the way that we feel inside is the most important thing, and that we have a say in that.Mason often encounters couples after his shows who tell him his music played a major role when they were falling in love. Raindrops On The Kitchen Floor is an unadulterated love song, with that love being so visceral that it can seemingly transcend the possible (How am I gonna live forever/Promise me you will/Call it off, the age of reason/Theres no more time to kill). I guess this is music to stay in love to, he jokes.But this collage is far from monochromatic. Clutch looks back wistfully at a love before the demands of adulthood came knocking. At the end of the song, Mason sings that Maybe we could work it out, we could live in a dream, live in a dream, as though he knows its too late to re-enter the honeymoon phase of the relationship. The song ends in a dream-like instrumental break that leads directly into Witches Dream, a fabulist romp that juxtaposes raw lust with fairy tale imagery. He stays in this dream state with Rudy, an allegory in which a good man overcomes the forces of darkness, while Wake Up addresses the need to put self-inflicted darkness behind one as well.Musically, Mason paints from a more varied palette than ever. For instance, piano is featured more prominently than any of his previous albums. The piano seemed to fit the emotional core of the album, he explains. I felt that it was important to begin and end the album with piano. Mason played almost all of the instruments on the album, the one exception being Well Of Love, a Perez Prado-esque number that features his friends in The Living Room, the side project of Jack Johnson drummer/percussionist Adam Topol. Friend Jason Schwartzman adds additional piano and background vocals on Raindrops.Minnesota finds Mason Jennings more at home than ever: More at home in his adopted state and more at home with the integration of the self that is required to live an artistic life while enjoying the community of his friends and loved ones.
Mason Jennings: Minneapolis based singer-songwriter Mason Jennings has signed to Brushfire Records. He joins Jack Johnson, G. Love, Matt Costa, Rogue Wave, ALO and Money Mark who have all released their latest albums through Brushfire Records.

The creative folk singer was previously signed to Glacial Pace/Epic, the label created by Modest Mouse front man Isaac Brock, where he released 2006's "Boneclouds."

Tour partners in the early days with label owner Jack Johnson, Mason made life long fans of the label's co owners. "Mason has been a part of the extended Brushfire family since we began the label, and it is honor to finally put out one of his records. In my view, he is one of the best songwriters in the land," says co-founder Emmett Malloy. Jack also weighs in, "Every time I hear a Mason Jennings album it changes the way I see the world around me."

Mason Jennings is currently wrapping up work on his latest album due out in May 2008. European tour dates with Jack Johnson and G. Love and Special Sauce, and appearances at Bonnaroo and Hawaii's Kokua Festival have already been announced for 2008.

When asked about the signing, Mason said, "I am excited to be working with friends who share my vision of love, peace and hope."

For the first peek of one of the songs from Mason's upcoming album, take a look at an impromptu cover of Mason's "I Love You and Buddha Too", as Jack Johnson segues out of the title track of his new album, Sleep Through The Static in an exclusive clip on and

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